SIX N. FIVE

Attracted by nature, an element that has endured millennia of erosion is now immersed in a digital flow that does not erode it, but does not ignore it either. Between stillness and illusion, the stone becomes the nexus between two natures that do not compete, but complement each other.

Its context is mutable: sometimes it is a reflection, sometimes it is vegetation that flows like water. The solid and the ephemeral coexist in a fragile equilibrium, depending on the light to reveal or disappear. Image becomes illusion, movement becomes stillness. And when the light fades, everything digital dissolves into a mirror, as if it had never been there.

It is a game of perception in which the real and the virtual do not cancel each other out, but shape each other.

My artistic practice is rooted in the exploration of perception, memory, and the invisible boundaries between the real and the imaginary. The works I am presenting (Flow, The Circle, Species, and The Revolt) are chapters in an ongoing investigation of nature, time, and human presence within constructed and imagined environments.